Showing posts with label murder mystery. Show all posts
Showing posts with label murder mystery. Show all posts

The Weed That Strings the Hangman's Bag: A Flavia de Luce Mystery (Flavia De Luce Mysteries) Review

The Weed That Strings the Hangman's Bag: A Flavia de Luce Mystery (Flavia De Luce Mysteries)
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Second in the series featuring young Flavia de Luce, The Weed that Strings the Hangman's Bag has our young heroine embroiled in yet another sticky situation or two, trying to uncover the identity of a murderer who dared do the deed in the middle of a performance of Jack the Beanstalk at the village church. As it just so happens, Flavia and her family, including Aunt Felicity (a new arrival to this series) are in the audience watching as the death occurs. Flavia knows right away that the death wasn't natural, as does the family gardener and general man-about-the-house Dogger, and she sets about finding the killer. But that's not all that Flavia knows, and as she uses her observations to help guide her, other mysteries, long kept hidden in the little village of Bishop's Lacey, begin to be revealed, perhaps not to some people's liking.

Once again Alan Bradley has done a fantastic job relating the story of Flavia deLuce, that child genius who was first introduced in his first novel, The Sweetness at the Bottom of the Pie. Bradley has not let up on his excellent writing, indeed, in this novel, the characters all become more real, more fleshed out, and he adds some new and quirky characters into the village of Bishop's Lacey. The mystery element of this novel is much stronger and runs deeper than in the first novel, and the reader finds himself or herself this time with several suspects from which to choose, all with their own private motives for murder. But once again, the strength isn't so much in the mystery, but rather in the other elements of the novel. For example, there's the struggle of Haviland deLuce (Flavia's father) to keep the family home, Buckshaw. There's also the introduction of a new character, Dieter, a former German POW working on a farm in the countryside, and how he came to be shot down over England during the war. Then there's Flavia's deep-seated needed to find out more about her mother, dead since she was a very small child. And Bradley hits on the exploitation of things that maybe should have been a bit more private by television producers for Auntie, the inside name for the BBC.Let me just say that many people complained about the lack of a true mystery plotline in the first novel of the series, or thought that the whole mystery thing was flat and so would not care to read any sequel. Balderdash. If you can just sit back and relax, and read around the mystery and think about what you're reading, you'll discover that there is more to these books than some precocious child playing Holmes here. Bradley's captured a slice of time past and he does it well and most intelligently. I can very highly recommend this novel, and now I'm just sad that I have to wait a year or so for the next one.

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Deeper Than The Dead - Book Club Edition Review

Deeper Than The Dead - Book Club Edition
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Tami Hoag gives us an entertaining and thought-provoking story in this smoothly-written book. It is 1985, and we are in a small, quiet town in California. There, we meet four children in Anne Navarre's fifth-grade class. Dennis is a foul-mouthed bully. Roach is his toady. Tommy is bright and well-behaved. Wendy is smart and cool. She and Tommy are best friends.
Their lives change forever one afternoon when they cut through a park on the way home from school. Tommy stumbles and falls into a depression and comes face to face with a dead woman - obviously a victim of a horrible murder. Terrified, Roach runs away. Wendy and Tommy are paralyzed with fright. Dennis thinks it is all pretty cool. We see the huge effects the event has on the children and on their very different families.
Detective Tony Mendez notes that the victim was rendered deaf by the murderer, and her eyes and mouth were glued shut, so she was helpless before being murdered by a peculiar pattern of stab wounds. A victim in another county died similarly, and Mendez learns that another young woman is missing. It looks like a serial killer. He calls for help from the FBI, and it comes in the form of FBI Profiler Vince Leone. Together, they set out to track down the killer, while matters become steadily more-frightening.
If you can't identify the serial killer immediately, you should turn in your junior detective badge, but the identity is not obvious to the detectives until we reach a breathless climax late in the story. It is a tale that is well worth reading.

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Pretend You Don't See Her Review

Pretend You Don't See Her
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Mary Higgins Clark has not failed us with this one. Pretend You Don't See Her is a captavating story that keeps you always wanting to find out what is going to happen next. At the beginning of the story we are introduced to the main character in the story Lacey Farrell. Lacey is a prominent real estate agent in the hustling city of New York. While preparing to sell an apartment in the heart of the city, Lacey witnesses the murder of her client. From their her life was turned upside down. Being forced into the witness protection program Lacey believes she would be safe. But like any good thriller the plot only thickens by her discovery of new evidence that might capture the killer. By staying involved in the case, even though being warned not too, the murderer is close on Lacey tracks to hunt her down and lay to rest anyone who might be able to tie him or her to the murder. Mary Higgins Clark's Pretend You Don't See Her is an exciting book that keeps you wanting to keep turning the page to find out what will happen next. I would recommend this book to anyone looking for a good mystery with many twists and turns that keeps the plot interesting.

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The Girl Who Played with Fire (Vintage Crime/Black Lizard) Review

The Girl Who Played with Fire (Vintage Crime/Black Lizard)
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In THE GIRL WHO PLAYED WITH FIRE, the second volume in the late Stieg Larsson's Millennium Trilogy, publisher Mikael Blomkvist and the police are conducting parallel investigations into three horrifying murders -- and their initial evidence points straight at young computer genius and social misfit Lisbeth Salander. Kalle Bastard Blomkvist (as Salander has begun referring to him) hasn't seen Salander in nearly two years, except for one night when he happened to witness a huge man attempting to kidnap her and both she and the attacker eluded him. He's bewildered about why she cut him off cold, but had accepted her decision -- until now. He doesn't believe Salander killed these victims. Well, at least not two of them. He has to contact her, find out how she's become embroiled in this, and help her. Salander, as usual, has her own ideas about who she'll see and when....
In THE GIRL WITH THE DRAGON TATTOO, Larsson partnered Blomkvist and Salander as they unraveled a twisted tale of corporate greed, Fascist connections, and perverse sex and violence. FIRE highlights another subject on which Larsson wanted to shine light, namely the underbelly of the sex trade, a swill of human misery being forcibly imposed for money and simple loathing of women. Blomkvist's magazine, Millennium, plans an issue devoted to the subject based on the interviews and reporting of a criminologist and a journalist, and there follows much in-house discussion of the lurid material and how it should be presented to the public. But the three murders turn the magazine and its people on their heads.
Meanwhile, Salander travels, changes her appearance, and matures in the early chapters of the 569-page book that covers four months in total and is told in four parts. Among her pursuits: attempting to proof Fermat's Last Theorem in a way Fermat himself might have done, furnishing her new abode, and keeping tabs on Bjurman (whom, recall, she memorably tattooed in DRAGON). Then, she disappears for quite a spell as the murder investigation gets cranking, and finally, she regains the spotlight as the book rushes headlong into a heart-stopping denouement.
The last book in this series -- tentatively entitled THE GIRL WHO KICKED THE HORNETS' NEST in its English translation -- is not scheduled for release until 2010. However, the entire trilogy has already been published in Swedish (naturally), French, and German. Larsson reportedly had planned a ten-volume series. He had written part of the fourth book and had outlined volumes five, six, and seven. Sadly, due to his early death, only the trilogy is complete and will, according to his father, be published. After reading FIRE, the thought creeps in that perhaps the trilogy will not provide closure, and that the reader could be left dangling, unsatisfied. That would be a crying shame because Salander and Blomkvist -- along with other continuing characters -- do burrow themselves deeply into the reader's (at least this reader's) affections. Fortunately, reviewers who have read, in the other aforementioned languages, the entire story arc, including the final novel, seem generally very satisfied. Some claim that the last book, also the longest, is a grand finale that answers all outstanding questions. A few are less effusive, stating that the last book can't meet the anticipatory heights set by the stunning, unusual first one.
This last criticism can be applied to the second book as well. FIRE does not pack quite the punch of uniqueness that DRAGON did. One can perhaps think of the movie trilogy THE MATRIX, MATRIX RELOADED, and THE MATRIX REVOLUTION as an analogy. The smash introductory film awed with its mind-bending perspective. The second and third passes were very solid, even amazing, partners, but they only reiterated the cutting-edge magic so novel in The MATRIX, building on it, not inventing something mind-blowingly fresh. Familiarity takes a bit of the bloom off the rose, but it certainly doesn't breed contempt in these instances. Larsson's FIRE lags a little during the mid-section in which criminal investigation procedure grinds along and the author belabors certain points, seeming to believe his readers novices at crime mysteries. But overall, FIRE accelerates the enthralling story of Lisbeth and Mikael with panache. One can't help thinking the world they inhabit is too slimy, too vicious, but Larsson was a man with many crusades and causes, and his trilogy vividly paints the harsh pictures of society that he hoped to reform. The Millennium Trilogy encompasses uncompromising social critique; prickling thrills; and curious, bittersweet romance. FIRE drew me like a moth, and I can't wait to get my hands on HORNET. 4.4 stars.


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The 5th Horseman (Women's Murder Club) Review

The 5th Horseman (Women's Murder Club)
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The 5th Horseman, which is the fifth book in Patterson's best-selling Women's Murder Club books. It's hair-raising. It's fast paced, it's James Pattersons's continuing to string out best-sellers faster than we write checks. Lately his books have been hit or miss. This one is no different, but I'm sorry to say the things that still bug me about Patterson continue to bug me here and they probably always will so long as he keeps pumping out four or five books a year.
At the San Francisio Muncipal Hospital, people have been receiving the wrong medication which induces a heart attack. The latest victim to this string of "accidents" is Yuki Castellano's mother Keiko, who suddenly collapses. After she's taken to the medical hospital, she's given the wrong medication and suddenly dies. Just like several others. Lindsay Boxer decides it's time to investigate. It's been happening too much to be just an accident.
It isn't such a bad book. For the most part, it'll keep you on the edge of your seat. If you like fast-paced movie-like books, The 5th Horseman is perfect. It instantly grabs your attention and takes you away.
Again, however, this book is plagued by what just about every James Patterson book is plagued with these days. Where's the meat? The substance? There's a lot of plot, but what about characters and steady pace? The book, like many of his previous books, moves much faster than it has to. And because it moves so fast, there's little time to feel for these characters.
Look at it like this, Yuki Castellano was introduced in 4th of July, the previous book (which was much better than this one). We learned very little about her. Here, her mother is introduced right after the prologue. When the mother dies, Patterson tries to make us feel sorry for Yuki Castellano. And I probably would've if I actually KNEW Yuki. The reader doesn't feel for these characters anymore. Lindsay Boxer is perhaps the only character who gets developed. But the other characters of the Women's Murder Club (who ARE major characters) receive very little. Being stuck with these characters for 400 pages calls for some kind of development for these otherwise, underdeveloped characters.
The overall plot is pretty good, at least. Like I said, you'll be on the edge of your seat, but again, it feels very movie like. Everything happens so fast that there are times when the reader is left behind.
If I were to write a letter to James Patterson, I'd tell him to slow down. Ever since he began pumping out four or five books a year he's had to call on numerous co-authors, and his books have gotten shorter, despite them being 400 pages long (as many reviewers have pointed out, the formatting makes it that way). And along with being shorter, they're moving faster. Not only do things happen unrealistically fast, but they become unbelievable, and his characters are beginning to suffer as a result.
The 5th Horseman is a good book, but it lacks substance. Put simple, there's no character development anymore, and nothing falls into place logically. It's time Patterson slow down a little. Take time to flesh out his characters and his stories. He's established his credibility as a writer, it would be a shame for him to ruin it. I don't know about you, but I like a few spices on my book... the kind of spices that make me glad to be with these characters. The kind that make me say, "I sure hope nothing bad happens to her!" It's not here.

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It is a wild race against time as Lieutenant Lindsay Boxer and the newest member of the Women's Murder Club, attorney Yuki Castellano, lead an investigation into a string of mysterious patient deaths--and reveal a hospital administration determined to shield its reputation at all costs. And while the hospital wages an explosive court battle that grips the entire nation, the Women's Murder Club hunts for a merciless killer among its esteemed medical staff. The newest addition to the topselling new mystery series takes the Women's Murder Club to the most terrifying heights of suspense they have yet to encounter. THE 5TH HORSEMAN proves once again that James Patterson is "the page-turningest author in the game right now " (San Francisco Chronicle).

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The Thrill Club (Fear Street, No. 24) Review

The Thrill Club (Fear Street, No. 24)
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Five teens get together each week for a "thrill club" meeting. Talia writes a fiction horror story and reads it to the other four members during the meetings.
The five members: Talia, Nessa, Shandel, Seth, and Rudy.
Seth's dad recently died and he is still stressed from it. (This has something to do with the storyline.)
The fiction stories come true. Talia is confused: How can that happen?
Members mysteriously die. Talia gets blamed.
Is Talia truly to blame, or is she innocent? You will find out.

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Talia Blanton writes horror stories which often feature her friends in starring roles. Everyone loves Talia's terrifying tales - until they start to come true.

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The Survivors Club Review

The Survivors Club
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Jillian Hayes, Carol Rosen, and Meg Pesaturo are three women, all from different walks of life, who survived brutal attacks by serial rapist Eddie Como. They form their own version of a support group and call themselves The Survivors Club, under Jillian`s leadership. Ironically they become the prime suspects when Eddie is murdered right before his court appearance and his assassin is blown up as he attempts to leave the scene.
Detective Sergeant Roan Griffin wonders if the three women have collectively conspired to carry out their revenge on Eddie, or if someone one wants to make it look as if they did. Roan must deal with the growing complexities of this case, as well as his own personal demons as he confronts the women. After another woman is attacked, there is more controversy and confusion, especially since the killer is now determined to eliminate each member of the Survivors Club. Roan must now pullout all the stops, even if it costs him his career, and possibly his life.
Lisa Gardner is an extraordinary writer. She serves up witty and upbeat dialogue, eclectic characters and complete pandemonium in this book. The Survivors Club is chock full of enough excitement, chills and thrills to exhaust even the most die-hard suspense fans. Don't miss this one.

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The Conspiracy Club Review

The Conspiracy Club
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The first Jonathan Kellerman book I ever read did not feature Alex Delaware. It was a novel titled THE BUTCHER'S THEATER, and though I read it almost 15 years ago, I can still remember passages of that book as if I had read them yesterday. I've read almost all of Kellerman's fiction since that time, including every Delaware novel, so I approached THE CONSPIRACY CLUB with some mixed feelings. I was slightly disappointed that this was not going to be another Delaware novel. But Kellerman's work, whether it involves Delaware or not, is so uniformly excellent that a deviation from his normal characterization would almost certainly be interesting.
Now, having spent a day or so reading THE CONSPIRACY CLUB, I can tell those of you who are diehard Delaware fans that, if you skip this excellent novel because Alex Delaware is not in it, you are cheating yourself. And if you're not already a fan of Kellerman, THE CONSPIRACY CLUB is the key to becoming one. Notwithstanding my familiarity with Kellerman's work, I felt as if I was discovering a debut novel by a new author who had studied at the feet of the masters and was channeling them.
The book is excellent in every way. The characters are unforgettable, the dialogue is witty when it should be and dark when appropriate. The plotting is so intelligent yet straightforward that you'll walk away from this great novel feeling smarter than you did when you first picked it up.
THE CONSPIRACY CLUB introduces Dr. Jeremy Carrier, a young staff psychologist at City Central Hospital in an unnamed Midwest city. Carrier is carrying around a boatload of grief since his passionate but all-too brief affair with a nurse named Jocelyn Banks was abruptly ended by her kidnapping and brutal murder. Carrier was initially a suspect in Banks's unsolved slaying, and Detective Bob Doresh has a disconcerting habit of popping into the hospital at odd times to ask Carrier off-kilter questions, just to let Carrier know that he's still under the magnifying glass. When another woman is murdered in an eerily and similarly grisly fashion, Doresh seems to be taking more than a polite interest in Carrier, a circumstance that creates even more sorrow and confusion for him. This is counterbalanced --- barely --- by Carrier's slowly developing relationship with Angela Rios, a hospital resident whose slow but sure emotional succor seems to put him on the road to recovery.
At the same time, an elderly, somewhat eccentric physician named Dr. Arthur Chess begins to take a gently incessant interest in Carrier. This interest culminates with Chess inviting Carrier to a mysterious late night formal supper. Chess and the other four guests, all individuals of wildly disparate backgrounds, treat Carrier well. He cannot help but feel, however, that he is there more to be observed and evaluated than anything else.
Almost simultaneously Carrier begins to receive a mysterious series of seemingly unconnected articles and messages through the hospital mailing system, correspondences that seem to be aiming him toward the identity of the true murderer of Banks and the other women. Kellerman, already a master of the suspense novel, takes the genre to new places here. Carrier is an empathetic psychologist, a master at sharing emotion with his patients, but he is not a detective. He lurches, in fits and starts, toward the true identity of the murderer, who is set to strike someone close to Carrier once again.
Carrier is a highly believable character. He is capable of giving comfort to his patients, even to those who seem unreachable, but is slow to accept and receive such comfort himself. Kellerman's account of Carrier's initial encounters with Rios is absolutely first-rate. What is even more remarkable, however, is Kellerman's ability to infuse his novels, and particularly this one, with realistic minor characters, who sometimes enter and exit within the space of a single page. One such character is a woman whom Carrier encounters while she is sweeping out a vacated bookstore in a building that is scheduled for demolition. The dialogue between the two characters goes on but for a few sentences, yet the woman's portrayal, primarily conveyed through her comments regarding her own behavior, is perfect. A character like this is not the stuff of literature so much as she is the essence of life. Even if her actions make no logical sense to her, the reader understands them immediately.
Carrier certainly has the potential to be an ongoing, sustaining character. He is too good a character to limit to one novel, even one as fine as THE CONSPIRACY CLUB.
--- Reviewed by Joe Hartlaub

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