Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

The Memory Keeper's Daughter: A Novel Review

The Memory Keeper's Daughter: A Novel
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The initial premise of the book is terrific. We're in the '60s and a doctor finds himself in a situation on a snowy night in which he must deliver his own child, with the help of his nurse Caroline (who has a secret crush on him). The first child, Paul, is healthy, but the second, a girl, is born with Down's Syndrome. The doctor, David, is convinced his wife Norah will not be able to "handle" the trauma of having such a child, so he decides, in an instant, to hand the poor girl to Caroline and asks her to take it to a home for such children and leave it there, never to mention the girl again. He tells his wife that the daughter has died. Caroline runs to the home,finds it to be a hugely disturbing place, and then looking into the face of this new baby, decides she can love the girl and provide her with a life. She runs off with the baby, ready to start a new and uncertain life.
These initial scenes are fairly well done, and though the decision David makes is abhorrent today...it is somewhat tempered by the fact that in the '60s, we as a society weren't quite so compassionate or understanding of folks with Downs. His logic about sparing his wife is questionable, however, and Edwards fairly effectively shows that the gulf between David's initial guilt and wariness about being caught and Norah's grief at losing a child drives the couple further apart. Norah is not allowed to grieve in the way she wants...for example, she isn't allowed to see the body of her lost daughter...for obvious reasons.
Anyway, after this the book falls apart. Author Kim Edwards, it becomes clear, hasn't learned the lesson of "showing us" how people are feeling and thinking, but telling us. We are told over and over that David's secret has blanketed his family, that it's driven him apart from his wife and son. We never really understand specifically how. Does David just act guilty all the time? Does Norah never get over her depression? Is she unable to show love to her son because she wants her daughter? I found the book to be almost completely unconvincing psychologically.
Also, every character in the book (possibly excepting the daughter Phoebe) is hugely UNLIKEABLE and UNSYMPATHETIC. David is simply a pompous jerk. Her makes this huge decision and then can't understand how his lie might effect other people. He just wants his wife to "get over it." Problem is, we see right from the beginning of the book, before the lie even happens, that this is not a happy couple and not one that should ever have married. Norah, the wife, marries David apparently without love for him, and then resents him for being very successful and providing for her and her son the kind of life she married him to get. We also learn a great deal about David's childhood, and none of that rings very true either...the David we see as an adult isn't convincingly the man the young David would have grown up to be.
The son,Paul, is shown as a typical sullen teenager who is not understood by his overbearing father. He escapes to playing guitar, and what do you know...he's practically a genius at that instrument. He talks about music in a way that no real person ever would...only in a way that writer's who can't show us how a person feels but must have them "tell" us.
On the other side of the story, we have the nurse Caroline. She appears to be somewhat heroic, because she does risk a lot to provide a life for Phoebe. Yet we never see the day to day struggles of dealing with a child with Down's Syndrome. Some brief early scenes are all we get...but the structure of the story skips all the day to day details and we see only the "end result,"...which doesn't seem to have been all that difficult...except that the author "tells" us that it was. While Caroline isn't unsympathetic she's just kind of bland and passive.
At one point in the later part of the book, David returns to his old hometown and meets an unusual character. I don't want to spoil it...but let's just say that this person's actions are totally silly at first, and then later this person is clearly meant to cause a seismic shift in the dynamics of David's family...instead we just kind of scratch our heads and wonder at the strangeness of everyone's behavior. I wish I could tell you more...but if you manage to slog your way this far into the book, you should at least have some surprises left.
It took me FOREVER to get through this poorly written, overwraught book. I kept going because it was SUCH a bestseller and so many people liked it. I guess I just totally missed it. I realize I'm asking to get huge amounts of "unhelpful" ratings, but I feel there must be other lone voices out there like me...who just found the book deeply unsatisfactory.
The only reason it gets two stars instead of one is that the initial premise IS original and was done well enough to make me buy the darn book in the first place and continue reading it in the hopes that the author's imagination would once again provide redemption. No such luck.

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Suite Francaise Review

Suite Francaise
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Having read much history about the 1940 fall of France, including such indispensible first person accounts as Bloch's "Strange Defeat," I have read nothing that captures the human experience of that debacle (arguably any debacle) as immediate and gripping as Ir?ne N?mirovsky's two novellas, all that was completed of what would have been the five part "Suite Fran?aise" (her title). Characters are as real as people we know well. They are vividly and deeply etched, with a focus and an economy of utterance that belie how engrained they become in the reader's mind. Without a central narrator, through the depiction of lives that in some cases are interlocking, in others tangential, indeed in most merely coeval, the feel of a world in dissolution has never been so effectively conveyed, both the general maelstrom and the personal experience. Transcending its time and place, it reminds us today how transitory everything is, how off-kilter, unbalanced, insecure life can suddenly become, indeed of the fragility of our existence, of how supporting structures such as class, belief, position, employ, wealth, can be swept away by happenstance or a tide of events we do not fully understand or foresee. When all material support is gone, all the characters (we) have left is what they (we) find within. For some, it's emptiness and pretension which always engender brutishness. Others are surprised by habits and qualities they took for granted or were not even aware they had: integrity, empathy, resourcefulness, even the grace and generosity inherent in good manners. Riches indeed. Ironically, the novelist as well as we, have always known that brutishness is not always punished nor does virtue always heal.
This novel speaks to the heart directly and, through the heart, to the intellect. The writing is thorough and gripping, detail is probed and embelished only when necessary. Some have described N?mirovsky's writing as Proustian. I think this is so only to the extent that the emerging picture is so flavorful and complete. The writing is always flowing yet compact; I don't recall a sentence which, unlike in Proust, could be remotely described as rococo. Though the events and composition are more than half a century removed from our time, the feel is oddly contemporary, the narrative's impact immediate and timeless.

The first novella has to do with the flight from Paris and the French defeat; the second, with life in a village under the occupation. But, of course, this is as adequate as saying that "War and Peace" is about Russia and Napoleon.
Read this book and be moved.
Recommendation: skip the introduction and don't browse the appendices first. Read the novel without concerning yourself with provenance. Afterwards by all means do read everything else. You will realize what a truly remarkable person wrote the gripping masterpiece you have just read, and the love and dedication by the author, her daughters and relevant others that ultimately brought this book into being. But, it must be emphasized: the greatness of "Suite Fran?aise" lies in the work, not in the circumstances of its provenance.

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Loving Frank: A Novel Review

Loving Frank: A Novel
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I have studied the work and bio of Frank Lloyd Wright for many years, even traveling to his Western headquarters, Taliesen West, and touring homes he built in four cities. I was well aware of his strengths and faults, but little has been published about the women in his wife, other than his domineering, smothering mother and his strident, domineering third (and last) wife. (I'm counting Mamah Borthwick, his lover for about a half-dozen years, as a second wife, since they would have married if his first wife had granted him a divorce; he and Borthwick lived together for several years).
Wright's towering ego is well known and well documented. By choosing to look at Wright and his work through the eyes of Mamah, his lover, in this fictionalized historical tale, Horan brings new insight into the demons and angels that inspired his vision. Wright's well-documented narcissism and inability to control himself personally is examined as well, but not as the fatal flaws offered by most biographers, but as components of an immensely complex and genius personality.
Mamah's (first) husband was first to see Wright's vision but Mamah was the one to embrace it wholly as Wright set about building them a home in Oak Park, not far from his own house. Wright was a star on the rise at that time, accepting commissions almost faster than he could manage them, but the affair he and Mamah embarked upon, which caused her to abandon her children, led to considerable scandal and major setbacks to his business.
Mamah was a recognized scholar and intellect until she was subsumed into a loveless marriage by the conventions of the time. In Wright she found the outlet for her passions and the independence she longed for, and the support and acceptance to rebuild her professional life, which became linked with that of the feminist Swedish scholar Ellen Keyes. Mamah's story, and that of the feminists of her time, is largely lost to history, and for reminding us of those seminal and important figures alone Horan deserves a deep bow.
Horan's work also exumes many litle-known facts about Wright and his times: his love for rural Wisconsin, where he grew up; his fascination with Japan and business in buying and selling Japanese antiguities; and his admiration for the classic Tuscan homes of northern Italy. As this book documents the times in which Wright was shaping his own vision with the help and guidance of Mamah, we can better understand the architecture for which he became so famous.
For those familiar with Wrights biography, the tragic end to his and mamah's affair is well known. For others, it will come as a shock. Horan is simply masterful in describing the events as they must have occurred.
I enjoyed the book tremendously, but I have one major quibble: Horan offers little documentation for her narrative for the reader who might want to learn as much as she does. As one generally familiar with the story I find it authemtic, but an appendix elaborating on the sources Horan used would add to the book's credibility.

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The Lovely Bones: A Novel Review

The Lovely Bones: A Novel
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Alice Sebold has written a remarkable debut novel. The narrator, Susie Salmon, was raped and murdered in 1973 and now resides in her heaven; yet, her voice contains none of the bitterness one would expect. She is able to see into the lives of those who touched her in life and death. At times wistful - for she will never be able to experience growing up - and others matter-of-fact, Susie witnesses the changes and growth within her family and small circle of friends. Her story is not one about death, but about loss and affirming life in its face, about moving on not only for those she left behind but for herself. The reader won't be able to escape the sadness in these pages - I came close to crying several times - but the overall tone is hardly grim. Because Susie is secure and happy in her heaven, she keeps the story full of light and optimism.
This novel is not flawless, nor should it expected to be. The narrative loses some of its momentum near the end. In addition, Sebold makes the mistake of adding a scene (which I won't describe here) seemingly designed to lessen the reader's regret about Susie's missed coming-of-age, but instead the scene falls flat. Susie's loss is as much a part of this book as her family's is, and to pretend it can be reversed, even if only temporarily, defeats the story. Still, given the first two-thirds of the book, this misstep and others can be forgiven.

The Lovely Bones is one of those books you can pick up and not want to put down again until you finish. At roughly 325 pages, this novel demands to be read on a plane, or on the beach, or when you have good chunks of time available to sit with it. Don't frustrate yourself by allowing a half hour here and there.
This is one book that deserves its spot on the bestseller list.

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Girl in Hyacinth Blue Review

Girl in Hyacinth Blue
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The concept of this novel, tracing the history of a painting by going back in time chapter by chapter, is just my cup of tea. Susan Vreeland has done an excellent job in transferring this unique notion to paper. I've always enjoyed antiques and wondered about its origination; Girl in Hyacinth Blue was like a dream come true in that respect.
The story begins with math professor, Cornelius Engelbrecht. He was bequeathed a painting from his father, who claims it a masterpiece by the Dutch artist Vermeer. There are no papers to prove this statement; however, the bigger picture is the way Cornelius's father obtained the painting...a way that has haunted him all his life.
Each chapter moves back in time to the previous owner of the painting. Readers follow the painting from the wall of Cornelius's father to the actual inspiration and creation of it. Each vignette houses new sets of characters with the painting as its central core. Slowly, with each turning page, we reveal another part of the painting's history, layer by layer, and what it has meant to the people whose lives it touched.
Girl in Hyacinth Blue made for a wonderful reading experience. I recommend this novel to those who enjoy lovely period pieces or like getting to the bare bones of a story. A very in depth and beautiful premise. I have Susan's next book on my list.

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Prodigal Summer: A Novel Review

Prodigal Summer: A Novel
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If you ever wanted to get a greater appreciation of nature, predators and their prey, and survival of the fittest, then you'll probably really enjoy Kingsolver's latest book. I was totally in awe of her knowledge, most of which I'm sure did not come just through research. The jacket cover mentions that she earned a graduate degree in biology before becoming a full-time author. This is quite evident throughout and it becomes obvious to the reader that this is a labor of love on her part. Let's put it this way -- if ever I was a contestant on the millionaire show and a biology question came up, I'd want Barbara Kingsolver as my "phone a friend."
What is a prodigal summer? The author describes it as the "season of extravagant procreation" and, from that point, the story begins. This procreation will be experienced by all different forms of life found within these pages.
Kingsolver, who so beautifully told her Poisonwood Bible story through the eyes of the four daughters and their mother, uses this same writing style once again in Prodigal Summer. This time though, the chapters aren't headed with the characters' names but instead are indicated by their particular field of interest.
The Predators section describes Deanna Wolfe, working for the forest service and living by herself in an isolated cabin. She has also penned a thesis on coyotes and it's her dream to come across this predator in her small world in the Appalachian Mountains.
Moth Love is devoted to Lusa Landowski, a young, beautiful city girl who has studied entomology and is now a bug expert and lover. She also inherits a farm and has to decide whether to stay in Zebulon Valley and commit to that lifestyle or return to Lexington, Kentucky.
Old Chestnuts explores the relationship between Garnett Walker, an 80 year old widow, and his love affair with the chestnut tree. During his lifetime, he is trying to recreate this almost extinct tree type within his Zebulon Valley region. Added to this mission is his love/hate relationship with his neighbor, 75 year old Nannie Rawley, and owner of an organic apple orchard.
Midway through the book, the connections between these individuals begin to surface as you know they would. Just as subtly, the connections between the underlying characters and their particular love of nature is explored. How to poison things without using poison? How predation is a sacrament? How birds never doubt their place at the center of the universe? How moths speak to each other via scent? How every quiet step is thunder to beetle life underfoot? These are just a fraction of the questions Kingsolver poses -- all the answers lie within these pages.
Barbara Kingsolver once again leaves the reader with food for thought. I guarantee that, after reading this book, you will never look at a moth the same way as you did before and probably won't kill another spider. For as she explains, "every choice is a world made new for the chosen." So if you, as the predator, choose not to kill a lesser life form, there begins a new life for that "prey" or that chosen species.
Since I would never categorize myself as someone who is "into nature", on an enjoyment scale I would only have rated this book with four stars. The fact that it is so well-written, with fabulous character development, well-researched content, and extraordinary subject knowledge by the author, it positively deserves a five star rating.

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A Reliable Wife Review

A Reliable Wife
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When wealthy businessman Ralph Truitt stood on the icy railroad platform waiting for the late train to deposit his mail order wife-to-be before him, he was expecting a woman of plain appearance with a missionary history; someone who could presumably make his house into a home and who could withstand the pressures of living in a still untamed country. That was what his ad had asked for: a reliable wife. Ralph Truitt was in for a surprise.
When she disembarked the train, Catherine Land's beautiful face didn't match the picture she had sent Truitt and he told her flatly, " ' Maybe you thought I was a fool. You were wrong.' " But a howling storm stopped Ralph from interrogating her there and then. And as the horses drew Truitt's carriage toward his estate in blinding snow, fate stepped in and won this woman a renewed offer to become Mrs. Truitt -- which was what she wanted.
Well, more precisely, she wanted what she intended would follow shortly: widowhood and the inheritance of Truitt's amassed estate. She had brought what she needed to implement her deadly scheme. Possessed of a scandalous past she would keep secret at all costs, Catherine had so much experience with men she was confident she could murder and yet remain emotionally unencumbered.
Ralph was no saint himself, but he carried an ingrained self-flagellating and resigned spirit. "Some things you escape, he thought. Most things you don't, certainly not the cold. You don't escape the things, mostly bad, that just happen to you." Wounds of love and lust had scarred him terribly two decades ago. Now alone and, for all intents and purposes, heirless at fifty-four, Ralph felt despair. He knew it wasn't unique to himself. He knew "the winters were too long," causing insanity, suicide, starvation, axe murders, and mostly silent desperation and depression. "These things happened."
Author Robert Goolrick's recurring theme of the potentially devastating psychological effects of long, bleak winters underscores the macabre situation in Truitt's mansion during that 1907 Wisconsin winter: The swirling snows outside mimic the Mediciesque intrigue inside the elaborate house. The plot is complex and labyrinthine, but it won't do to give away too much. Suffice to say, insanity -- but also love -- blows through on all sides.
A Reliable Wife seethes with savage passions which the author pens with an operatic flair. The prose is sometimes alarming: "He wanted to slice her open and lie inside the warm blood of her body." However, Goolrick also excels in memorable passages of a recuperative nature -- as a beautiful garden scene poignantly illustrates. Goolrick's suspenseful, sustained dialectic between the primal "heart of darkness" and the humane and cultured heart of charity stokes the plot, keeping the reader glued.
Although this novel is a certified page-turner, it can feel chaotic and contradictory due to a narrative consisting often of characters' uncensored, roiling feelings and streams of consciousness. It is unsettling and "messy" to follow them restlessly shifting from one thought to a contradictory one, baldly laying bare their brutish instincts, then subsiding almost soothingly, like restive waves.
A RELIABLE WIFE is a novel of intensity and raw power. On its own rather masochistic terms, it also offers up love (and forgiveness) of the deepest kind. This novel will appeal widely, but likely most to those who crave a bold but somewhat perverse love story featuring very flawed characters. They, despite their cravenness, reach out to readers and demand notice and even grudging respect and affection. Goolrick's fictional version of 1900's rural Wisconsin folk isn't pretty, but, "Such things happened." See what you think of this tale.


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The Kite Runner Review

The Kite Runner
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The earth turns and the wind blows and sometimes some marvelous scrap of paper is blown against the fence for us to find. And once found, we become aware there are places out there that are both foreign and familiar. Funny what the wind brings.
And now it brings "The Kite Runner," a beautiful novel by Afghan-American Khaled Hosseini that ranks among the best-written and provocative stories of the year so far.
Hosseini's first novel -- and the first Afghan novel to be written originally in English -- "The Kite Runner" tells a heartbreaking story of the unlikely friendship between Amir, the son of a wealthy Afghan businessman, and Hassan, the son of his father's servant. Amir is Sunni; Hassan is Shi'a. One is born to a privileged class; the other to a loathed minority. One to a father of enormous presence; the other to a crippled man. One is a voracious reader; the other illiterate.
The poor Hassan is born with a hare lip, but Amir's gaps are better hidden, deep inside.
Yet Amir and Hassan live and play together, not simply as friends, but as brothers without mothers. Their intimate story traces across the expansive canvas of history, 40 years in Afghanistan's tragic evolution, like a kite under a gathering storm. The reader is blown from the last days of Kabul's monarchy -- salad days in which the boys lives' are occupied with school, welcome snows, American cowboy movies and neighborhood bullies -- into the atrocities of the Taliban, which turned the boys' green playing fields red with blood.
This unusually eloquent story is also about the fragile relationship fathers and sons, humans and their gods, men and their countries. Loyalty and blood are the ties that bind their stories into one of the most lyrical, moving and unexpected books of this year.
Hosseini's title refers to a traditional tournament for Afghan children in which kite-flyers compete by slicing through the strings of their opponents with their own razor-sharp, glass-encrusted strings. To be the child who wins the tournament by downing all the other kites -- and to be the "runner" who chases down the last losing kite as it flutters to earth -- is the greatest honor of all.
And in that metaphor of flyer and runner, Hosseini's story soars.
And fear not, gentle reader. This isn't a "foreign" book. Unlike Boris Pasternak's "Dr. Zhivago," Hosseini's narrative resonates with familiar rhythms and accessible ideas, all in prose that equals or exceeds the typical American story form. While exotic Afghan customs and Farsi words pop up occasionally, they are so well-defined for the reader that the book is enlightening and fascinating, not at all tedious.
Nor is it a dialectic on Islam. Amir's beloved father, Baba, is the son of a wise judge who enjoys his whiskey, television, and the perks of capitalism. A moderate in heart and mind, Hosseini has little good to say about Islamic extremism.
"The Kite Runner" is a song in a new key. Hosseini is an exhilaratingly original writer with a gift for irony and a gentle, perceptive heart. His canvas might be a place and time Americans are only beginning to understand, but he paints his art on the page, where it is intimate and poignant.

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Water for Elephants: A Novel Review

Water for Elephants: A Novel
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What a terrific read! Water for Elephants has been lauded as a "great pick for summer", but this book is so much more. It has a depth and a substance to it that you don't usually find in your typical "beach read". It's obvious that the author did her research into the time period (post-Depression America), and the subject matter (traveling circuses). According to the author's note at the end of the book, many of the compelling anecdotes in the story were based upon real events, culled from the diaries and personal histories of old-time circus performers. As a result, Water for Elephants is a novel that boasts the rare combination of being both entertaining and informative.
The main character is a cantankerous, still-sharp 93-year-old man, and his frustration at being trapped in an old man's body is palpable. The story of his incredible life and adventures with the Benzini Brothers circus unfolds in a way that is emotionally wrenching, and yet flashes of good humor pervade throughout. The characters are richly drawn, and even the animals are given complex personalities that make them a pivotal part of the story. There is something in the novel for everyone: it is equal parts adventure, mystery, fictional memoir, love story, and historical account.
I highly recommend this book!

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Song of Solomon (Oprah's Book Club) Review

Song of Solomon (Oprah's Book Club)
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With passion and a voice that sings with beautiful detail and magic, Toni Morrison's third novel, published in 1977, is a powerful tale that follows the lives of a black family and their friends living in a Michigan city. In 1931, Macon Dead III, later nicknamed Milkman, is prematurely brought into the world, the first black child born in Mercy Hospital, just after his mother witnesses the brief flight of a man determined to fly from the cupola of the hospital. Although the novel revolves around Milkman, the stories spun out from him embrace a wide variety of characters and experiences. Morrison explores the lasting stamp of slavery through the name of Macon Dead; the intimate culture of women through Pilate, Reba, and Hagar; the hunger for property and respectability through Milkman's father; the idea of one's "people" through those in the South who have not forgotten connections; the violence of civil rights through Guitar; and many more issues facing blacks of the times and today. Despite the resonance of history, this novel is ultimately about its people and their eagerly lived lives. Morrison plunges her readers into their hearts with a humanity and skill too few novelists possess. The result is a remarkably emotional and intelligent story that will stay with you for a long time.
Readers should not be intimidated by Morrison's Nobel Prize Winner status, as this novel, like most of her others, is written in startling but accessible language. You don't need an advanced degree (or even a specific race or gender) to slip into her magical prose. Her characters are real and fully realized, and feel like friends, even when you might want to shake them to their senses. Although some readers will be puzzled by the end, wanting perhaps the next sentence that explains it all, Morrison has included by her omission the real meaning of her book. Visit with it for a few moments before closing the cover.
I highly recommend this book for a wide range of readers, from high school students to adults. Even though it was written in the 1970's, its themes and characters still have relevance today. Morrison is one of the world's literary gifts, and should not be missed. THE SONG OF SOLOMON is one of her best novels.

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The Book of Ruth (Oprah's Book Club) Review

The Book of Ruth (Oprah's Book Club)
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I finished "The Book of Ruth" last night and today I miss her terribly. I read some of the book's reviews on Amazon.com today, and I am amazed at how differently we see things, we humans. Because I cherished the experience of reading this book so deeply (and no, I wasn't abused), I can't imagine that those who didn't care for it could possibly have read the same book.I make an assumption about Ruth from the very first chapter: that she is very mildly retarded or in some way subtly disabled. For me, her behaviors and perceptions are off just enough to imply some missing cerebral link. And this is what is so extraordinary to me: that someone without all resources at her disposal can yet perceive herself and her world with such precious, ingenuous, brilliant vision ... well, I would feel honored to have her as a friend.To write from the point of view of a retarded person makes for such creative use of language and imagery. Ruth is like an idiot savant. She is all the best a human being can be, tireless in her effort to find good and truth in her experiences, resilient beyond belief. I think she puts us all to shame, "healthy" though we be.Depressing? No, no, no. That's too easy. I am reminded of Yeats: "...a terrible beauty is born." I am in awe of Ruthy. I laugh through my tears and am comforted.

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The Deep End of the Ocean (Oprah's Book Club) Review

The Deep End of the Ocean (Oprah's Book Club)
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Even if you have seen the movie (by the same name), READ THIS BOOK. Mitchard weaves such a hauntingly beautiful tale about every family's nightmare and the aftermath. While checking into a hotel for a class reunion, Beth Cappadora turns around to realize that her 3-year-old son is gone. The first part of the book describes so many emotions that the family goes through: the shock, the horror, the frantic search, then the realization that life must go on. But how do you? In a split second, everything has changed, her relationship with her husband, the other children, as well as friends and neighbors. A bond develops with one of the officers who refuses to give up on this case. The ending is not what anyone expects and truly shows the strength and absolute beauty of a mother's love. Wonderfully paced, this is one of those rare stories which I will never forget.

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