Showing posts with label book club. Show all posts
Showing posts with label book club. Show all posts

The Memory Keeper's Daughter: A Novel Review

The Memory Keeper's Daughter: A Novel
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The initial premise of the book is terrific. We're in the '60s and a doctor finds himself in a situation on a snowy night in which he must deliver his own child, with the help of his nurse Caroline (who has a secret crush on him). The first child, Paul, is healthy, but the second, a girl, is born with Down's Syndrome. The doctor, David, is convinced his wife Norah will not be able to "handle" the trauma of having such a child, so he decides, in an instant, to hand the poor girl to Caroline and asks her to take it to a home for such children and leave it there, never to mention the girl again. He tells his wife that the daughter has died. Caroline runs to the home,finds it to be a hugely disturbing place, and then looking into the face of this new baby, decides she can love the girl and provide her with a life. She runs off with the baby, ready to start a new and uncertain life.
These initial scenes are fairly well done, and though the decision David makes is abhorrent today...it is somewhat tempered by the fact that in the '60s, we as a society weren't quite so compassionate or understanding of folks with Downs. His logic about sparing his wife is questionable, however, and Edwards fairly effectively shows that the gulf between David's initial guilt and wariness about being caught and Norah's grief at losing a child drives the couple further apart. Norah is not allowed to grieve in the way she wants...for example, she isn't allowed to see the body of her lost daughter...for obvious reasons.
Anyway, after this the book falls apart. Author Kim Edwards, it becomes clear, hasn't learned the lesson of "showing us" how people are feeling and thinking, but telling us. We are told over and over that David's secret has blanketed his family, that it's driven him apart from his wife and son. We never really understand specifically how. Does David just act guilty all the time? Does Norah never get over her depression? Is she unable to show love to her son because she wants her daughter? I found the book to be almost completely unconvincing psychologically.
Also, every character in the book (possibly excepting the daughter Phoebe) is hugely UNLIKEABLE and UNSYMPATHETIC. David is simply a pompous jerk. Her makes this huge decision and then can't understand how his lie might effect other people. He just wants his wife to "get over it." Problem is, we see right from the beginning of the book, before the lie even happens, that this is not a happy couple and not one that should ever have married. Norah, the wife, marries David apparently without love for him, and then resents him for being very successful and providing for her and her son the kind of life she married him to get. We also learn a great deal about David's childhood, and none of that rings very true either...the David we see as an adult isn't convincingly the man the young David would have grown up to be.
The son,Paul, is shown as a typical sullen teenager who is not understood by his overbearing father. He escapes to playing guitar, and what do you know...he's practically a genius at that instrument. He talks about music in a way that no real person ever would...only in a way that writer's who can't show us how a person feels but must have them "tell" us.
On the other side of the story, we have the nurse Caroline. She appears to be somewhat heroic, because she does risk a lot to provide a life for Phoebe. Yet we never see the day to day struggles of dealing with a child with Down's Syndrome. Some brief early scenes are all we get...but the structure of the story skips all the day to day details and we see only the "end result,"...which doesn't seem to have been all that difficult...except that the author "tells" us that it was. While Caroline isn't unsympathetic she's just kind of bland and passive.
At one point in the later part of the book, David returns to his old hometown and meets an unusual character. I don't want to spoil it...but let's just say that this person's actions are totally silly at first, and then later this person is clearly meant to cause a seismic shift in the dynamics of David's family...instead we just kind of scratch our heads and wonder at the strangeness of everyone's behavior. I wish I could tell you more...but if you manage to slog your way this far into the book, you should at least have some surprises left.
It took me FOREVER to get through this poorly written, overwraught book. I kept going because it was SUCH a bestseller and so many people liked it. I guess I just totally missed it. I realize I'm asking to get huge amounts of "unhelpful" ratings, but I feel there must be other lone voices out there like me...who just found the book deeply unsatisfactory.
The only reason it gets two stars instead of one is that the initial premise IS original and was done well enough to make me buy the darn book in the first place and continue reading it in the hopes that the author's imagination would once again provide redemption. No such luck.

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Loving Frank: A Novel Review

Loving Frank: A Novel
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I have studied the work and bio of Frank Lloyd Wright for many years, even traveling to his Western headquarters, Taliesen West, and touring homes he built in four cities. I was well aware of his strengths and faults, but little has been published about the women in his wife, other than his domineering, smothering mother and his strident, domineering third (and last) wife. (I'm counting Mamah Borthwick, his lover for about a half-dozen years, as a second wife, since they would have married if his first wife had granted him a divorce; he and Borthwick lived together for several years).
Wright's towering ego is well known and well documented. By choosing to look at Wright and his work through the eyes of Mamah, his lover, in this fictionalized historical tale, Horan brings new insight into the demons and angels that inspired his vision. Wright's well-documented narcissism and inability to control himself personally is examined as well, but not as the fatal flaws offered by most biographers, but as components of an immensely complex and genius personality.
Mamah's (first) husband was first to see Wright's vision but Mamah was the one to embrace it wholly as Wright set about building them a home in Oak Park, not far from his own house. Wright was a star on the rise at that time, accepting commissions almost faster than he could manage them, but the affair he and Mamah embarked upon, which caused her to abandon her children, led to considerable scandal and major setbacks to his business.
Mamah was a recognized scholar and intellect until she was subsumed into a loveless marriage by the conventions of the time. In Wright she found the outlet for her passions and the independence she longed for, and the support and acceptance to rebuild her professional life, which became linked with that of the feminist Swedish scholar Ellen Keyes. Mamah's story, and that of the feminists of her time, is largely lost to history, and for reminding us of those seminal and important figures alone Horan deserves a deep bow.
Horan's work also exumes many litle-known facts about Wright and his times: his love for rural Wisconsin, where he grew up; his fascination with Japan and business in buying and selling Japanese antiguities; and his admiration for the classic Tuscan homes of northern Italy. As this book documents the times in which Wright was shaping his own vision with the help and guidance of Mamah, we can better understand the architecture for which he became so famous.
For those familiar with Wrights biography, the tragic end to his and mamah's affair is well known. For others, it will come as a shock. Horan is simply masterful in describing the events as they must have occurred.
I enjoyed the book tremendously, but I have one major quibble: Horan offers little documentation for her narrative for the reader who might want to learn as much as she does. As one generally familiar with the story I find it authemtic, but an appendix elaborating on the sources Horan used would add to the book's credibility.

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The Lovely Bones: A Novel Review

The Lovely Bones: A Novel
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Alice Sebold has written a remarkable debut novel. The narrator, Susie Salmon, was raped and murdered in 1973 and now resides in her heaven; yet, her voice contains none of the bitterness one would expect. She is able to see into the lives of those who touched her in life and death. At times wistful - for she will never be able to experience growing up - and others matter-of-fact, Susie witnesses the changes and growth within her family and small circle of friends. Her story is not one about death, but about loss and affirming life in its face, about moving on not only for those she left behind but for herself. The reader won't be able to escape the sadness in these pages - I came close to crying several times - but the overall tone is hardly grim. Because Susie is secure and happy in her heaven, she keeps the story full of light and optimism.
This novel is not flawless, nor should it expected to be. The narrative loses some of its momentum near the end. In addition, Sebold makes the mistake of adding a scene (which I won't describe here) seemingly designed to lessen the reader's regret about Susie's missed coming-of-age, but instead the scene falls flat. Susie's loss is as much a part of this book as her family's is, and to pretend it can be reversed, even if only temporarily, defeats the story. Still, given the first two-thirds of the book, this misstep and others can be forgiven.

The Lovely Bones is one of those books you can pick up and not want to put down again until you finish. At roughly 325 pages, this novel demands to be read on a plane, or on the beach, or when you have good chunks of time available to sit with it. Don't frustrate yourself by allowing a half hour here and there.
This is one book that deserves its spot on the bestseller list.

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Girl in Hyacinth Blue Review

Girl in Hyacinth Blue
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The concept of this novel, tracing the history of a painting by going back in time chapter by chapter, is just my cup of tea. Susan Vreeland has done an excellent job in transferring this unique notion to paper. I've always enjoyed antiques and wondered about its origination; Girl in Hyacinth Blue was like a dream come true in that respect.
The story begins with math professor, Cornelius Engelbrecht. He was bequeathed a painting from his father, who claims it a masterpiece by the Dutch artist Vermeer. There are no papers to prove this statement; however, the bigger picture is the way Cornelius's father obtained the painting...a way that has haunted him all his life.
Each chapter moves back in time to the previous owner of the painting. Readers follow the painting from the wall of Cornelius's father to the actual inspiration and creation of it. Each vignette houses new sets of characters with the painting as its central core. Slowly, with each turning page, we reveal another part of the painting's history, layer by layer, and what it has meant to the people whose lives it touched.
Girl in Hyacinth Blue made for a wonderful reading experience. I recommend this novel to those who enjoy lovely period pieces or like getting to the bare bones of a story. A very in depth and beautiful premise. I have Susan's next book on my list.

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A Reliable Wife Review

A Reliable Wife
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When wealthy businessman Ralph Truitt stood on the icy railroad platform waiting for the late train to deposit his mail order wife-to-be before him, he was expecting a woman of plain appearance with a missionary history; someone who could presumably make his house into a home and who could withstand the pressures of living in a still untamed country. That was what his ad had asked for: a reliable wife. Ralph Truitt was in for a surprise.
When she disembarked the train, Catherine Land's beautiful face didn't match the picture she had sent Truitt and he told her flatly, " ' Maybe you thought I was a fool. You were wrong.' " But a howling storm stopped Ralph from interrogating her there and then. And as the horses drew Truitt's carriage toward his estate in blinding snow, fate stepped in and won this woman a renewed offer to become Mrs. Truitt -- which was what she wanted.
Well, more precisely, she wanted what she intended would follow shortly: widowhood and the inheritance of Truitt's amassed estate. She had brought what she needed to implement her deadly scheme. Possessed of a scandalous past she would keep secret at all costs, Catherine had so much experience with men she was confident she could murder and yet remain emotionally unencumbered.
Ralph was no saint himself, but he carried an ingrained self-flagellating and resigned spirit. "Some things you escape, he thought. Most things you don't, certainly not the cold. You don't escape the things, mostly bad, that just happen to you." Wounds of love and lust had scarred him terribly two decades ago. Now alone and, for all intents and purposes, heirless at fifty-four, Ralph felt despair. He knew it wasn't unique to himself. He knew "the winters were too long," causing insanity, suicide, starvation, axe murders, and mostly silent desperation and depression. "These things happened."
Author Robert Goolrick's recurring theme of the potentially devastating psychological effects of long, bleak winters underscores the macabre situation in Truitt's mansion during that 1907 Wisconsin winter: The swirling snows outside mimic the Mediciesque intrigue inside the elaborate house. The plot is complex and labyrinthine, but it won't do to give away too much. Suffice to say, insanity -- but also love -- blows through on all sides.
A Reliable Wife seethes with savage passions which the author pens with an operatic flair. The prose is sometimes alarming: "He wanted to slice her open and lie inside the warm blood of her body." However, Goolrick also excels in memorable passages of a recuperative nature -- as a beautiful garden scene poignantly illustrates. Goolrick's suspenseful, sustained dialectic between the primal "heart of darkness" and the humane and cultured heart of charity stokes the plot, keeping the reader glued.
Although this novel is a certified page-turner, it can feel chaotic and contradictory due to a narrative consisting often of characters' uncensored, roiling feelings and streams of consciousness. It is unsettling and "messy" to follow them restlessly shifting from one thought to a contradictory one, baldly laying bare their brutish instincts, then subsiding almost soothingly, like restive waves.
A RELIABLE WIFE is a novel of intensity and raw power. On its own rather masochistic terms, it also offers up love (and forgiveness) of the deepest kind. This novel will appeal widely, but likely most to those who crave a bold but somewhat perverse love story featuring very flawed characters. They, despite their cravenness, reach out to readers and demand notice and even grudging respect and affection. Goolrick's fictional version of 1900's rural Wisconsin folk isn't pretty, but, "Such things happened." See what you think of this tale.


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The Poisonwood Bible Review

The Poisonwood Bible
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I read Kingsolver's earlier "Pigs in Heaven" and "Bean Trees." I picked up "The Poisonwood Bible" on impluse to read while on vacation. Once I started reading it, I found it hard to put down.
I have never had much interest in African history, but this book made me want to find out more. Her characters, as in her earlier books, are very well realized and fascinating. The story begins with the arrival in the Belgian Congo of Nathan Price, fire and brimstone Baptist preacher, and his reluctant family. The family's story is told by Nathan's wife, Orleanna, and their five daughters - shallow teen-age Rachel, twins Leah and Adah, and five-year-old Ruth May. The voices of the characters are authentic and believable.
Other reviewers are correct in their assessment that this is, in a sense, two books. The first is about Nathan's clumsy and ill-advised attempts to fit Africa to his fundamentalist beliefs, and the family's attempts to fit their lives to Africa. The second is about the way a family tragedy marks its survivors and the different ways events in Africa mark them as well. I don't agree that Kingsolver should have "stopped writing" at the end of the first part.
I was absolutely spellbound by the way the voices changed and the way they stayed the same from the first to the last of the book. One believes in the characters, they change and grow as the book progresses. Other reviewers found Rachel grating, but I think that was the point. Her shallowness brought home the points that Kingsolver was making even more effectively than the earnest preaching by Leah. I got the sense that in her own way, Rachel understood the events perfectly well, but that she did not care.
I felt very complete when I finished the book. It was a satisfying experience.

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The Kite Runner Review

The Kite Runner
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The earth turns and the wind blows and sometimes some marvelous scrap of paper is blown against the fence for us to find. And once found, we become aware there are places out there that are both foreign and familiar. Funny what the wind brings.
And now it brings "The Kite Runner," a beautiful novel by Afghan-American Khaled Hosseini that ranks among the best-written and provocative stories of the year so far.
Hosseini's first novel -- and the first Afghan novel to be written originally in English -- "The Kite Runner" tells a heartbreaking story of the unlikely friendship between Amir, the son of a wealthy Afghan businessman, and Hassan, the son of his father's servant. Amir is Sunni; Hassan is Shi'a. One is born to a privileged class; the other to a loathed minority. One to a father of enormous presence; the other to a crippled man. One is a voracious reader; the other illiterate.
The poor Hassan is born with a hare lip, but Amir's gaps are better hidden, deep inside.
Yet Amir and Hassan live and play together, not simply as friends, but as brothers without mothers. Their intimate story traces across the expansive canvas of history, 40 years in Afghanistan's tragic evolution, like a kite under a gathering storm. The reader is blown from the last days of Kabul's monarchy -- salad days in which the boys lives' are occupied with school, welcome snows, American cowboy movies and neighborhood bullies -- into the atrocities of the Taliban, which turned the boys' green playing fields red with blood.
This unusually eloquent story is also about the fragile relationship fathers and sons, humans and their gods, men and their countries. Loyalty and blood are the ties that bind their stories into one of the most lyrical, moving and unexpected books of this year.
Hosseini's title refers to a traditional tournament for Afghan children in which kite-flyers compete by slicing through the strings of their opponents with their own razor-sharp, glass-encrusted strings. To be the child who wins the tournament by downing all the other kites -- and to be the "runner" who chases down the last losing kite as it flutters to earth -- is the greatest honor of all.
And in that metaphor of flyer and runner, Hosseini's story soars.
And fear not, gentle reader. This isn't a "foreign" book. Unlike Boris Pasternak's "Dr. Zhivago," Hosseini's narrative resonates with familiar rhythms and accessible ideas, all in prose that equals or exceeds the typical American story form. While exotic Afghan customs and Farsi words pop up occasionally, they are so well-defined for the reader that the book is enlightening and fascinating, not at all tedious.
Nor is it a dialectic on Islam. Amir's beloved father, Baba, is the son of a wise judge who enjoys his whiskey, television, and the perks of capitalism. A moderate in heart and mind, Hosseini has little good to say about Islamic extremism.
"The Kite Runner" is a song in a new key. Hosseini is an exhilaratingly original writer with a gift for irony and a gentle, perceptive heart. His canvas might be a place and time Americans are only beginning to understand, but he paints his art on the page, where it is intimate and poignant.

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Tara Road (Oprah's Book Club) Review

Tara Road (Oprah's Book Club)
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I am giving TARA ROAD three stars because it is not my favorite Maeve Binchy novel - I don't think the secondary characters were developed as well as in some of her other books. Yes, the story has elements of a soap opera, but please don't compare it to anything written by Danielle Steele. I have never been able to get through one chapter of any of her books that have come my way. Okay, I did read MESSAGE FROM NAM, she must have had a ghost-writer. Excuse me, I digress. TARA ROAD is an enjoyable read. The main character, Ria, changes throughout the book, and I really liked her. She seemed very real to me, like a good friend. My only complaint about this book is at times it was a bit slow, and not 100% believable, but so what, it's a novel. The story itself is actually very inspiring, about friendship as well as self-reliance. I definitley recommend TARA ROAD to all Maeve Binchy fans, and for those who've never experienced Maeve, if you like good stories with characters who become like friends, please give her books a try. However, for first time readers of Maeve, you might want to start with ECHOES or EVENING CLASS, which are two of her best!

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A Map of the World (Oprah's Book Club) Review

A Map of the World (Oprah's Book Club)
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I was hesitant to pick this book after reading some reader reviews describing it as boring, too wordy, and turned off by the death of a child.
On the contrary, I found it very rich, textural, and complex in a very human way. I was never bored and whipped through this in less than a week. I found it fascinating. I loved the way Alice narrated it at first, then Howard, than back to Alice again.
People are very fallible, complex characters and this book finds the perfect pitch to tell that story. It is about surviving trageday, and ultimately, forgiveness.
While this is not a "happy" read, I was not depressed by it either. I get so tired of people complaining about subject matter being depressing and therefore, throwaway. It is through pain we often find joy. For me, a good book, or movie is something that grips me and holds my attention, whether it be happy or sad or both.
This is one of the better books I have read in a long time. I will read more by Jane Hamilton.

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